Initially, M-KAT Ensemble was supposed to provide music for a Contact Improvisation Jam set up by Kevin Dockery and Rosemary Hannon. We had had a private rehearsal with them, and they graciously asked us if we'd like to participate. Andrew could not join us, so we had to put a new configuration together. Thankfully, John Vaughn made himself available when asked. M-KAT without Andrew would not be M-KAT, hence the new (K)name!
Kersti, Thomas, John, and myself managed to fight our ways through Saturday night Berkeley traffic and score parking spots at and around Finnish Hall. Promptly at 8PM, we started playing. A few dancers joined us in the main hall portion of the building to start. It was amazing to watch new dancers arrive from downstairs or outside and begin their improvisational moves together and solo. About thirty minutes in, the floor was pulsing with energy from the synergy of the music and the dancers. Improvised Music and Contact Improvisation: perfect for one and other! Knames ended up playing for two hours straight, going through many changes of mood and mode; at the end, we all agreed that we were inspired and moved by the dancing people that were in front and around us. At one point, the group reminded me of the motion of flocks of birds with their seemingly random, yet clearly not random at all, patterns.
Another one of those gigs wherein the vibe made me extremely happy and fulfilled.
Many thanks to Rosemary and Kevin for asking us to participate in such a great event.
Below: Knames setting up; Thomas Harrison Jr. with his great new bass
Above: dancers after one and a half hours!
Kersti, Thomas, John, and myself managed to fight our ways through Saturday night Berkeley traffic and score parking spots at and around Finnish Hall. Promptly at 8PM, we started playing. A few dancers joined us in the main hall portion of the building to start. It was amazing to watch new dancers arrive from downstairs or outside and begin their improvisational moves together and solo. About thirty minutes in, the floor was pulsing with energy from the synergy of the music and the dancers. Improvised Music and Contact Improvisation: perfect for one and other! Knames ended up playing for two hours straight, going through many changes of mood and mode; at the end, we all agreed that we were inspired and moved by the dancing people that were in front and around us. At one point, the group reminded me of the motion of flocks of birds with their seemingly random, yet clearly not random at all, patterns.
Another one of those gigs wherein the vibe made me extremely happy and fulfilled.
Many thanks to Rosemary and Kevin for asking us to participate in such a great event.
Below: Knames setting up; Thomas Harrison Jr. with his great new bass
Above: dancers after one and a half hours!
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