I am always fascinated by Pacifica's unique blend of So Cal and Nor Cal. It sits squarely between the two, and has feels from both. Its sea salt swept hermetic vibe is really strange and appealing. I took a couple of walks around the neighborhood in which Winters is located in order to soak it up. On the first one, I saw a beautiful shade of orange-red on the hillside. Spectacular.
After a somewhat shaky rehearsal during the week, I spent as much time as I could re-learning certain aspects to Surplus' set. The songs can be somewhat tricky, and it just doesn't help to sleep on their changes. This worked for me: from Moe!'s opening beat of Pigeon Obstacle Course, I felt confident and aware of the changes. Inspired, really. It didn't hurt that the drummers from the two previous bands, Rip Room and the Tunnel, are so good. I dug on watching both of them as they drummed.
Surplus made through our current big opus, Temporarily Present, with only a small clam by me during the first part of the song. That one is getting really fun. Ten epic minutes of rumination on death. Good times!
Things got a bit weird during Failure of Commitment, as the electrical source for the entire stage went down. I decided to just keep up with the 16th note beat that drives the bridge section. I flashed on a story about Jaki Leibeziet that I'd read, in which the same thing happened during a Can set, and he just kept up with his drum pattern. Really, I resolved to play until I was physically stopped. Thankfully, no need for that. Nelly, Moe!, Bill, and Melne got their juice back and came back in, right on cue. Excellent.
Our set finished with good versions of John Cage's Perilous Night, Question After Ended Question, A Motivated Song About Procrastination, and, at the insistence of the audience, Morale Is High.
After a really fun night of music, I took the long way home, cruising up busy 19th Ave. in San Francisco and over to the Richmond-San Rafael Bridge by way of the Golden Gate Bridge. Richmond Parkway is kind of spooky at 1AM in the glow of the Chevron refinery.
Surplus 1980 will hit the studio in October and November. I'm really excited to get all of the past couple years' hard work documented.
Below: great back line drum kit, provided by Tunnel drummer Michael Scott Jacobs, thanks man
Below: Mike Watt's bass on the wall of Winters Tavern