Saturday, August 14, 2010
Sex is a Witch
Sex is a Witch started at Lennon Studios in S.F., where singer/guitarist Meri St. Mary was working the front desk. Meri had fronted a very popular band called Housecoat Project, and after several years off to raise her son and deal with some personal issues, was looking to start a new band.
Guitarist Mia D'Bruzzi had played in Frightwig and Mudwimmin, two amazing examples of S.F. Punk. Mia, an awesome guitar player (Strat w/ a Twin!) was looking for a new project.
Rachel Thoele, on bass, had also played in Mudwimmin. She had just left a popular band called Van Gogh's Daughter, and was looking for a new band as well.
As for me, despite being very sad about the recent death of Justin Martin and the ultimate end of Lithium Milkshake, I wanted to hit the ground running and get out playing as quickly as possible.
Several fun shows followed, notably at Kommotion, Stinky's Peep Show at the CW Saloon, and on Market St. for the (then) annual Summer Solstice "Making Waves" Fest. I also put together a show that featured my other band, Ahab, along with Sex is a Witch, at New College of California. This show was a benefit/fund raiser for Altaneze Taylor's Bright Moments Jazz Lover's Club. Ms. Taylor was at that time allowing me to try and start a program to teach kids in the Bay View/Hunter's Point area of S.F. the fundamentals of trap kit drumming. The objective was to raise enough cash to buy a small drum kit for the class.
Despite the initial success, Sex is a Witch was fraught with inter-personal tension, much of it seeming to be baggage from old relationships between some of the members of the band. Practices quickly devolved into arguments. I just wanted to play, and as such had little patience for the airing of grievances. In early summer of 1997, I told the band, via phone calls to each member, that I would quit. Our last show was at the Bottom of the Hill, opening for Oxbow. The recordings here are from that show.