Another busy few weeks of performance made the end of July pretty interesting, with aesthetic jumps and emotional ups and downs aplenty. Here's the lowdown.
Broken Whole-Pro Arts, Oakland; 7/15/19
For this show, Broken Whole was augmented by the great Thomas Dimuzio, who brought a small but very effective set of synth patches to play. We got into a really cool, spacious set, with everyone really taking their time and choosing their spots wisely. As always, Tim Orr and I had some really good, interactive playing, while Mika processed the sounds with his "slicer dicer" program. Things unfolded nice and slow. Thomas's sounds really boosted the music, which got VERY abstract. I have a decent recording of it, hopefully it gets out onto the web in some way. 30 minutes of heavy experimentation and meditative bliss, played to a receptive audience in Oakland. Yes!
Below: Broken Whole's gear, waiting for the slowness....
Above: my trash kit, such a weird, fun sound
Surplus 1980-Golden Bull, Oakland; 7/18/19
Here's where the emotional "down" really set in. This show was Surplus 1980's record release show. We have a new CD/vinyl recording out, which, in my opinion, is really damn good. We tried to promote the show well, got really good acts to play, but the turnout was really lackluster and disappointing. Never the less, we played our set, albeit somewhat truncated for later time and lack of audience. I felt like I played well. Hell, I felt like everyone played well, with Moe! kicking ass on second drum set, but it would be dishonest to say that the hurt feelings didn't make for a somewhat grim mood. The back line kit, supplied by Eye-O drummer Kevin Woodruff were a delight to play. Hopefully Surplus 1980 will find some kind of way to rebound from this emotional blow.
Below: a nice set of drums
Below: video by Bill Russell, THANKS Bill!!!!
Failure Cock-the Dildo Factory, Berkeley; 7/28/19
Could there be a more perfect billing, names wise, than Failure Cock at the Dildo Factory? Am I right? Hahahahaha. This was another great Noise show put on by the legend Grux. What a great, funny dude. Some of the cream of the SF Bay Area Noise scene were on this bill, so we were pretty stoked to be included. Most acts utilized relatively sophisticated synth gear. In comparison, Failure Cock stuck to our usual very primitive method, with Scarp throwing cracked cymbals and chains around, Eli on an old, beat up bass, and me on contact mic'd sheet metal. I felt like we got off to a somewhat slow, maybe a tad bit clunky start, but the energy shot up after a while and we hit some satisfyingly noisy spots. I ended up dancing around with my sheet metal and may have made a new sculpture out of it, which seemed cool. We got some compliments from audience and other acts, which felt nice. A very fun, shamanic evening of getting crazy and cut up! A fine way to end manic July, that's for sure.
Below: some of Failure Cock's gear
For this show, Broken Whole was augmented by the great Thomas Dimuzio, who brought a small but very effective set of synth patches to play. We got into a really cool, spacious set, with everyone really taking their time and choosing their spots wisely. As always, Tim Orr and I had some really good, interactive playing, while Mika processed the sounds with his "slicer dicer" program. Things unfolded nice and slow. Thomas's sounds really boosted the music, which got VERY abstract. I have a decent recording of it, hopefully it gets out onto the web in some way. 30 minutes of heavy experimentation and meditative bliss, played to a receptive audience in Oakland. Yes!
Below: Broken Whole's gear, waiting for the slowness....
Here's where the emotional "down" really set in. This show was Surplus 1980's record release show. We have a new CD/vinyl recording out, which, in my opinion, is really damn good. We tried to promote the show well, got really good acts to play, but the turnout was really lackluster and disappointing. Never the less, we played our set, albeit somewhat truncated for later time and lack of audience. I felt like I played well. Hell, I felt like everyone played well, with Moe! kicking ass on second drum set, but it would be dishonest to say that the hurt feelings didn't make for a somewhat grim mood. The back line kit, supplied by Eye-O drummer Kevin Woodruff were a delight to play. Hopefully Surplus 1980 will find some kind of way to rebound from this emotional blow.
Below: a nice set of drums
Could there be a more perfect billing, names wise, than Failure Cock at the Dildo Factory? Am I right? Hahahahaha. This was another great Noise show put on by the legend Grux. What a great, funny dude. Some of the cream of the SF Bay Area Noise scene were on this bill, so we were pretty stoked to be included. Most acts utilized relatively sophisticated synth gear. In comparison, Failure Cock stuck to our usual very primitive method, with Scarp throwing cracked cymbals and chains around, Eli on an old, beat up bass, and me on contact mic'd sheet metal. I felt like we got off to a somewhat slow, maybe a tad bit clunky start, but the energy shot up after a while and we hit some satisfyingly noisy spots. I ended up dancing around with my sheet metal and may have made a new sculpture out of it, which seemed cool. We got some compliments from audience and other acts, which felt nice. A very fun, shamanic evening of getting crazy and cut up! A fine way to end manic July, that's for sure.
Below: some of Failure Cock's gear
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