PureFinder had the honor of playing with mighty tenor saxophonist Joshua Allen last night within that great space. Josh is a tough act to follow, but we did our best: four or five drums/cymbals mic'd with small contacts and fed into Andrew's electronic rig. Our plan consisted of playing three zones: rhythmic, glitch-ey, and droned. The set started off space-ey, and I got to play some big, block chords on the studio's piano (!) as an opening sound.
We paced our piece well, and seemed to find each of those respective areas. I had fun using long screws on the sides of drums and the cowbell, the sounds of which Andrew treated very creatively. I guess one might define PureFinder's sound as Electronic Grime or maybe Free Industrial; I really enjoy producing it! After a quick thirty minutes or so, with shakers being hit upon gongs, high harmonica notes, and all kinds of electronic spraying, we stopped; I figured, why keep those in attendance out on a rainy Monday night for too long? Still, we felt satisfied and had a real good time.
Many thanks to Oakland Freedom Jazz Society for allowing PureFinder to play!
Below: Andrew contemplates his mixer, drums mic'd